Weekend Update: February 26, 2010

There’s a new Kevin Smith movie out this weekend called Cop Out, a buddy picture starring Bruce Willis and Tracey Morgan. Smith didn’t write it; in fact it’s the first time he’s directed a film written by someone else, and critics have not been kind. Seems Willis doesn’t make any effort, Morgan tries too hard, and there’s nothing in the story worth filming. All this negativity has Smith in a testy mood; he is so miffed at Owen Gleiberman, over at Entertainment Weekly, that he actually made comments on the critic’s web page, fighting back:

My film scores a C-. This from the guy who gave "Twilight" a B grade. So I'll let that speak for itself. 

That’s some of the milder stuff, see the whole exchange here. Looks like this film will not be a critical hit but there is a lot of interest in it among action fans and Kevin Smith acolytes, so it should keep the box office busy. Also opening is The Crazies, a remake of an early George Romero picture where toxins in a small town water supply turn good Midwestern folk into zombies. It’s more scary than gory, has a lot of cool government conspiracy stuff, and early critical reviews have been kind. Maybe that’s why Kevin Smith is testy.

If you live in New York, LA or Montreal and you’re in the mood for something more highbrow, check out A Prophet. It’s a French crime drama that has won a lot of awards and will probably walk away with the Best Foreign Film Oscar. If you feel like staying in (or if the snow is keeping you home), look for The Informant, new this week on DVD. Matt Damon plays a whistle blower who may not be as noble as he appears. It’s not a great film but it’s entertaining and Damon's performance is first rate.

Next week: Alice in Wonderland. Booting those blue people right off their 3-D screens.

Shutter Island

This is one creepy movie, but then you would expect that, since it’s set on a remote rocky island surrounded by miles of angry ocean, and there’s a storm brewing. Leonardo DiCaprio plays US Marshall Teddy Daniels, sent out to investigate the disappearance of an inmate from a high security penitentiary located on the island – a facility for the criminally insane.

Criminally insane. There is something simultaneously horrifying and intriguing about that phrase, particularly in a movie context. These villains aren’t Mafioso types, killing to get the job done (it’s business, not personal) or tough cowboys who use their guns to wrangle justice out of the untamed west. These are people who kill because they are nuts.

Doesn't get much creepier than that.

Marin Scorsese spares no stylistic detail in bringing Dennis Lehane’s bestselling novel to the screen. Early on it’s all very noirish, the detectives hardboiled and scruffy, you half expect them to make a crack about double crossing dames. But thing don’t go predictably from there - Daniels, who should be a hard as nails cop, seems s little unhinged; he gets headaches, and keeps having flashbacks to his World War II service, liberating Dachau on a bright cold winter day. And when he bunks down for the night, he has strange, acid trip dreams about his dead wife (Michelle Williams) and fire. His investigation isn’t straightforward either – the trail of evidence twists and turns and spins back again, while conspiracy theories emerge about the impenetrable Ward C and a mysterious lighthouse that is cut off from the island by the incoming tide.

It’s a fun ride because Scorsese is one heck of a filmmaker. The story itself is a little flat, all the strange visions and fever dreams don’t get us to care much about Teddy Daniels even though Leo DiCaprio tries mightily to bring him to sympathetic life. And when the roller coaster ride finally screeches to an unfortunately predictable stop, you might feel a little let down. But never mind, the journey is worth it; Scorsese keeps surprising us, and we get to spend some time on a creepy remote island with criminally insane people.

Also starring Ben Kingsley as the progressive director of the facility, Max Von Sydow as his sinister and possibly ex-Nazi colleague, and Emily Mortimer in a terrifically eerie turn as the missing inmate. And keep your eye out for some great cameo moments with Patricia Clarkson and Jackie Earle Hayley. Shutter Island won the box office derby in its opening weekend, the biggest ever for DiCaprio and Scorsese. Playing in lots of theaters.  B

Oscar upset?

Tarantino.

The name is legendary in Hollywood, even though the guy behind the mystique only has eight films to his credit and most people haven’t seen them. But they’re hip films – fast paced violence drenched stories with unexpected plotlines and lots of sharp dialogue. They’ve earned him a load of admirers in the film community and an ardent fan base of comic con attendees, but not a whole lot of mainstream attention.

Until now. With Inglorious Basterds Quentin Tarantino appears to be positioned to knock Katheryn Bigelow and James Cameron right off their Best Picture front runner pedestals. For one thing, Harvey Weinstein produced the film and he is working the Oscar voter crowd – the tireless Weinstein is known for successful Academy Award campaigns. And even though there’s general agreement that Hurt Locker is a better movie than Avatar, the little Iraq movie that could hasn’t made much money; in fact, by most standards it’s a box office dud. Oscar voters are generally leery of rewarding poor financial performance. But they’re suspicious of box office hits, too, and that doesn’t bode well for the tall blue people movie. Basterds, on the other hand, brought in a respectable 120 Million, so it’s kind of a compromise. Beyond that there is the notion that the ground breaking Pulp Fiction deserved better than it got back in 1994 – in other words, the Academy owes Tarantino one.

And then there’s the preferential ballot.

New this year, Academy members are asked to rank the best picture contenders, with their favorite first and least favorite last, and all the other ones lining up in between. This is how nominations have always been decided, but it’s a first for the final vote; in years past, you put a check mark next to your fave, sealed the envelope and sent it on its way. With the preferential thing, second and third place votes could make the difference in a close race, so a dark horse could sneak in.

And that would be pretty cool. Inglourious Basterds is a great grand goof of a movie, a World War II film made by a guy whose inspiration is other World War II films. There is little in this picture that is historically accurate – the ending is a bold, cinematic roller coaster ride not remotely connected to real events – but Tarantino isn’t trying to teach a lesson here, and you don’t go to a Tarantino film to learn one. You go for fun, to be entertained by – as the breathless comic con dude sting next to me said– "a movie making master." What could be more Oscar worthy than that?

...........

Whether his film can win the top prize or not, there is no question that Tarantino has some buzz. Yesterday on her show, MSNBC host Rachel Maddow announced the winner of a contest she was running, to find a shorthand name for the process where the minority party in the Senate threatens a filibuster whenever the majority party brings a bill to the floor.

The winning entry was “The Tarantino.” It kills bills.

Weekend Update: February 18, 2010

This weekend Shutter Island comes out, and it’s about darn time. The Martin Scorsese picture was bounced around on the movie schedule, first meant to show up in theaters last fall, Oscar bait. But big studio Paramount started muttering about bottom lines and marketing costs, and sent Shutter off to open up in February, hoping to pull some gold out of the late winter movie doldrums. This could work, since no other big ticket films are opening this weekend, and some folks are betting that Marty’s thriller could pull out a record breaking box office weekend. That would be cool.

Meanwhile, the critics who have seen the film have been complimentary, and not: the New York Times A. O. Scott didn’t love it, but some guy in North Carolina thought it was the best movie ever. Most of the rest are somewhere in between. Not much else to go on at this point.

But if you’re a film lover, and especially if you’re a Scorsese film lover, you’re going to see this movie. Soon, like tomorrow.

For the rest of you, if you’re not interested in a drama/horror/suspense/mystery/thriller rated R for disturbing content, there are still some of those romantic comedies around, like Valentine’s Day, and it’s not too late to catch some of the Oscar nominees in theaters – look for Crazy Heart, The Blind Side, and Up in the Air, all still playing at a theater probably not too far from you. Oh, and Avatar is still around but, has anyone not seen Avatar? I mean anybody who wants to go?

There is also some fun to be had on DVD. Check out Amreeka, the warmhearted, thoughtful story of a Palestinian woman who moves to America with her teenage son just after the US invades Iraq. Or In the Loop, a very funny satire about high level government strategizing (or lack of it) featuring whip smart dialogue and James Gandolfini. And if you just want to have some fun, and you don’t mind a little zombie gore, check out Zombieland starring Woody Harrelson as the baddest zombie slayer ever. It’s a good movie. Really.